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・ Pierre Ouellette
・ Pierre Ozanne
・ Pierre P. Ferry House
・ Pierre P. Garven
・ Pierre P. Garven (mayor)
・ Pierre Pagé
・ Pierre Paiement
・ Pierre Palau
・ Pierre Palmade
・ Pierre Pansu
・ Pierre Paquette
・ Pierre Paradis
・ Pierre Parenteau (politician)
・ Pierre Parisot
・ Pierre Parrant
Pierre Parrocel
・ Pierre Part, Louisiana
・ Pierre Pascau
・ Pierre Pasquier
・ Pierre Passereau
・ Pierre Passi
・ Pierre Patel
・ Pierre Patrix
・ Pierre Patry
・ Pierre Patte
・ Pierre Paul de Méredieu, baron de Naillac
・ Pierre Paul Dehérain
・ Pierre Paul Leroy-Beaulieu
・ Pierre Paul Nicolas Henrion de Pansey
・ Pierre Paul Royer-Collard


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Pierre Parrocel : ウィキペディア英語版
Pierre Parrocel

Pierre Parrocel (1664–1739) was a French painter of the late-Baroque period.
He was born in Avignon to a large family of artists, including his uncle Joseph Parrocel and his father, Louis Parrocel. He was first instructed by his uncle, and then trained with Carlo Maratti in Rome, and in 1730 became a member of the Accademia di San Luca there. His principal work, as a painter, was in the gallery of the Hôtel de Noailles at St. Germain-en-Laye, where he represented the ''history of Tobit'' in thirteen pictures. He also painted a ''Coronation of the Virgin in the church of St. Mary at Marseilles, He also etched and engraved in a style analogous to that of A. Rivalz ; but he was not equally successful with the graver. Of the fourteen etchings left by him, ''The Triumph of Aphrodite'' is perhaps the most noteworthy.
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